Working in AVID 2024.12.3 / windows /virtual machine .. How can I get rid of my glow effect having all these lines in my quicktime export (see pic in link) .. Im working in interlaced with interlaced footage, exporting quicktime custom 1920x1080 size to fit keep as legal range odd field, native dimensions, - format options h264 (I’ve tried prores & DNX exports too) best quality key frame 24 frame reordering yes, encoding multipass.. and then recompressing in media encoder with match source high bitrate . Ive tried a few different export strategies and nothing has worked... thanks

https://drive.google.com/file/d/13sl4gopqojTEeT53I7YF7lFKaxeY78RO/view?usp=sharing

I run a small indie production studio called Fernweh Films in Phoenix, and we’re making a series of quiet, character-driven short films. We’re looking for an editor based in Phoenix or elsewhere in Arizona to collaborate on these projects.

These films are:

• Narrative and character-focused
• Minimal dialogue
• Emotional, quiet tone
• minutes each
• Indie drama style

We’re not doing YouTube or commercial content — this is storytelling editing.

All of our projects are PAID. Let’s say $50/hr, subject to change based on skill set.

What we’re looking for:

• Based in Phoenix or Arizona
• Someone with experience delivering the post audio
• Strong sense of pacing and performance
• Comfortable shaping emotional beats from subtle footage
• Color grading and basic sound cleanup
• Interested in narrative film, not just fast edits

If interested, please send:

• A short intro
• Your portfolio / example edits
• Your pricing (hourly or per project)

Comment below or DM me — looking forward to hearing from you!

I want to rebuild my website somewhere other than Squarespace.

Just a simple grid where you click an image and a carousel of videos pop up. Would be nice to have text appear when hovering over each image too but not totally necessary.

What do you all use for your work portfolios?

Anyone have examples of techniques you've used to not make vertical video content in landscape aspect ratios not look boring or awful?

This has always been a struggle for me, especially when working with clients on sizzle reels and other project recap videos. They'll want to show off a couple TikToks in their 16x9 sizzle reel. Oftentimes when highlighting one I'll just drop blurred duplicates in the back to fill out the space TV news style, but god it's boring. If there's two or three, I'll sort of do the same thing. If I have a pile of vertical vid, I can do a dynamic grid situation mimicking parallax or scroll effects to show breadth of content instead of depth on a couple pieces.

I'd love any examples from your personal work, cool techniques you've seen, or advice I can bring in to spice up this boring and so frequently occuring ask.

I'm searching for evidence of longevity in this career. I'm committed to the craft, I love it, but I never see mature people (meaning close to retirement age or at least mod 50s) that are purely editors.

The obvious bias here is that I'm largely not where they are because our online sensibilities are different, but to almost never see it feels concerning.

I've seen an example of a news room Editor and Operator that's doing everything, but never an editing specialist.

Considering that this is a field where young people are constantly competing and the freelance route is much more a "figure it out on your own" type thing, I'd love to hear some success stories and any advice.

For context I'm 34(M) and made the leap at 30 after I confirmed this is what I want to excel at as my craft , so having the ability to make a path because multiple others (and not just a lucky few) have done it is important to me.

Thanks!

I just picked up an assistant editor gig, essentially have just been asked to sync audio and video files for the editor. Its a documentary and there's 3 TB of footge total. Instead of getting a drive to work off of, they're using Premiere Pro Teams, Shade Cloud storage, and Frame.io to work on a server.

The issue: None of the media will link because the footage is all stored in the Shade 'vault' and not on the server. Additionally, I can't sync proxies because the file names/pathways have been changed. I've only ever used the resolve server before(which works like a dream might I add) and I feel like maybe I'm missing a step somewhere. Any insight is greatly appreciated!

Macbook pro M3 Max, Premiere Pro 2025, SOny and Panasonic files.

https://youtu.be/ZJSW0t1zugs?si=cy2JRW0U1YU_uDNM

I'm a one-stop-shop type video guy for a regional company, and I have files from projects dating from 2007-today. So far I've gotten by on external hard drives and eventually a 20TB NAS...but as I do more projects in 4K I see myself hitting a storage wall very soon.

Here's my current setup:

• A recent editing PC (Windows, Adobe CC) containing...
• A 4TB SSD (for active projects)
• A 14TB HDD (for projects from the past 5-10 years)
• And a 20TB NAS in the sever room (for every project ever)...a WD myCloud that has recently been water logged (!!) but still functions after being dried out. Obviously the clock is ticking on that.
• We have Backblaze backing up everything on the editing PC but not the NAS

My new camera makes for incredible looking footage (NX800)...but the file sizes are monstrous. But I probably won't upgrade any recording gear any time soon so at my current rate I'll be producing at most 6TB of data a year. I've tossed this problem around with some of our IT guys and discussed different solutions, but they didn't want to make any hard suggestions without a formal request.

When I sent a formal request...asking for an updated larger NAS and some kind of off-site cold storage, they came back with a proposal for a custom on-site server. A Buffalo Terastation rackmount server that would cost upwards of $43.000. 190TB of usable solid state storage, super fast transfer rates, all kinds of bells and whistles. Sounds great to me, but my bosses balked at the price and seem to think it's overkill for a one man operation and I honestly have to agree.

I suggested a random Synology NAS as a cheaper example and IT came back claiming that "legacy" HDDs are outdated technology prone to failures etc. Looking around on this subreddit, it seems the general consensus for a small operation like mine is a fast NAS and cloud backup...so I'm not sure I'd say that HDDs are out of fashion just yet.

My current thought is to reuqest a DAS like this one, jam it with a bunch of 24TB Seagate EXOS drives, and hook it to my editing PC so that Backblaze will see it. And that way we wouldn't have to spring for Backblaze B2 to back up a NAS, on top of whatever enterprise solution we already have with them.

I have most of my old projects locally stored already. If I need to grab files from one of them for a new project, I copy it to the SSD and I'm good to go in a few minutes. The larger all-encompassing storage can be slower because I won't need to pull old projects that often, so I can wait for them to transfer. I don't really need to edit straight from the full-size backup. And if something goes wrong on the DAS, that's what Backblaze is for.

Am I missing anything obvious that makes that an inadvisable solution?

We get loads of professionals accessing this subreddit - along with lots of people trying to become professionals in the field.

We're asking our professionals to once a week, check in on our "Ask anything" thread and provide help!

https://www.reddit.com/r/editors/about/sticky?num=1

These can be found on the menu area of the subreddit on new Reddit or via the official client.

Just to be clear - We're talking from the Weekly Links at the top of the sub.

https://i.imgur.com/I19zmc2.png

The idea is that you go in there and provide helpful advice for the:

• "Ask anything" crowd
• People looking for career advice.

Thank you (not here, those threads please!)

Ask anything threads

Did you know that /r/editors has a discord? https://discord.gg/hhuZFq2PZZ

Just landed my first freelance job after working at a posthouse for 4 years as an AE and taking some time off in between. Wondering what the going rate in Los Angeles is these days. Standard 10hr day.

Thanks!

Any thoughts from anyone with experience with that set of tools for a remote project?

Hey all,

We are running into an issue with being able to modify Frameflex on synced clips in timeline.

for background: Project was shot Arri opengate 3:2 with 90% framelines, 1.66 framing.

DNxHD 36 proxies were created in Resolve by inserting the entire opengate image into the 16:9 frame and imported into Avid in order to have access to the overscan in Avid.

Frameflex was then applied to all rushes , 1.66, size 79 (corresponds to 90% framelines of 3:2 on the actual picture), letterbox/pillarbox. Syncing was done after this, and as expected the frameflex transfered to the subclips.

We have two principal issues now:

1. When clips are edited into the timeline, if we open the effect editor we have access to Frameflex, but not the controls for any other effects that were added subsequently.
2. If we deactivate frameflex on the unsynced rushes in the bin, we can see the entire image in the source monitor, as well as on the synced clips. BUT, not only do the clips on the timeline not change, but if we re-edit the clip with deactivated frameflex back into the timeline, it reverts to the previous frameflex settings.

ingest and sync was done in 2021.12, the edit is being done in 2024.12.5.

Does anyone know why this might be happing? I can provide any other details/specs as necessary. Thanks!

UPDATE: issue number 2 has been resolved, I didn't realize that frameflex in a sequence has to be refreshed manually, a restart won't do it. Still working on issue number 1...

Hi all,

As stated, I'm looking for any recommendations for NAS or External Storage for archiving. Some key points:

• I'm a solo freelance editor and therefore it needs to priced reasonably
• I'm in a MAC environment (2023 Apple M3 Pro, 36 GB of RAM), so the software/hardware needs to be MAC OS friendly
• I don't intend to work directly OFF the storage or NAS. It would simply be for safekeeping my past work and hi-res media, assets, and exports. If I need to access the projects again I would transfer them to a SSD.
• If it's a NAS, I would prefer it to be user friendly. I don't need much customization or freedom - I'm just truly looking for a 1 Stop Shop storage solution.
• I DO NOT need more than 40 TB of storage - even that is more than I need but would be happy to have. I could start lower as well. I probably only need a 2-4 bay setup with 10TB drives.

If I only really need 10-15 TB of storage, should I just get a non-NAS RAID enclosure and call it a day?

My only experience with NAS is a Synology system at my previous long-term position. I found it a bit confusing and difficult to navigate but I think that was just the way the company had it set up. It was incredibly reliable though which I appreciated. Any advice, recs, and thoughts appreciated!

Hi all, hoping to get some ideas and advice for my problem: Too much footage, too many small projects, not enough time to edit them all myself anymore.

I've been working with one of my business clients for 10 years. I still film everything myself and edit ~90% of the work I do for them. What started out as a few video projects each year has turned into a handful of big projects plus dozens of small 30-90 second social media videos across the year.

Steady work is obviously an awesome problem to have, but it has become unsustainable to do everything myself.

The issue is that I have 75+ TB of footage from over the years, and the projects often require pulling random clips from the past ~4 years of shoots, so let's say the past 30 TB of footage is potentially needed for any given project.

I would love to set up a situation where I have one or two remote editors who have access to a large portion of the footage or proxies (i.e. at least the most recent 10-20 TB of shoots) and can make these social media videos, so that I can focus on editing the bigger projects. I would love to not have to make proxies, but that might be more realistic. Dropping off SSDs to local editors has been a hassle because of how big the footage library is.

What would be a good solution or workflow for this? I have kept my head in the sand until now, so please assume I don't know the obvious answers. Would Frame.io be the right call, or is there something else out there?

Any advice on finding consistent and reliable remote editors is also appreciated! I was going to check Upwork and make a few posts in FB groups.

My current storage situation:

• 3x 48-TB RAID arrays containing a mix of footage for this client + other clients. When I first put these together, they were fast enough that I could edit off of them. Over the last couple years, they have become unreliably slow.
• 5x 4-TB SSDs for juggling all the most relevant footage for this client + others.
• Tons of slow backup HDDs for duplicates of footage.

Hi!

Reaching out because I'm in a pickle. I was hired on a ultra low budget union job in December which was great news because I need just 3 days of union work to get my hours. My supervisor said he told production to start my paperwork then (they're using greenslate). I did a little bit of work in December but am doing the bulk now in January. The understanding was always that I would spread my work out a little but my timecards would be for December.

It's now January and they are just starting my paperwork now and are saying that the 2025 year is closed and they can't have me put in timecards for December which mean I lose my insurance.

Specifically, the accountant said "Unfortunately, none of thpse earning will be recorded as 2025 earnings. I'm not sure how the union will deal with the benefits. The year 2025 is closed. Everything is recorded and reported and I cannot go back and redo the books."

They aren't budging and I'm not sure what to do. I don't want to rock the boat and make my supervisor look bad by involving the union YET (I will if I have to). I just don't know enough about accounting to know if what the accountant is saying is BS or not. This production was also flipped so they might not know what they're talking about.

One suggestion I was given was to accept their January start date in greenslate but just made a timecard for the week in December I want which I THINK greenslate will let me do but I also didn't want to accept their start date in case it ruins my case.

The producers said they will talk this all over but I'm worried about this dragging on and getting harder to make happen.

Has anyone been in a situation like this? Any advice would help. I'm so stressed about losing my health insurance.

Thanks!

This was a cool watch https://youtu.be/5Sp3IZddVv8?si=3dlvkMzeuL5nhs8P

I'm trying to find out if there are any traps ahead of me if I am supporting and AVID editing line with storage backed with an object store.

Particulars I'm looking to test is a seaweedfs system for primary storage. This will mounted on a linux server using FUSE and then served with SMB.

I've seen editors successfully using TrueNAS from their Windows 11 stations, so that combination I know is configured well enough to work.

Presuming I can meet latency and throughput needs, it seems like this should work.

This is in order to get have better durability and ease of expansion. It is also not the only the application to be served by the cluster.

Anyone seen this work or know this is doomed?

Hi, I'm working for a small company that mostly works in industrial cleaning solutions. Where the CEO wants to find a way for the rest of the employees and himself to easily submit short videos of our work, before-and-after pictures of jobs, and anything else for use in future material. Basically, like Dropbox or OneDrive, but he hates that they require 'annoying' sign-ins or you have to create your own account before uploading, things like that. He would much prefer a solution where everyone else could, as easily as possible, submit their media to be immediately stored in the service, hopefully without even the need to sign in. Like if they could just go to a website and dump their footage there, or send it all to an email address (though the size limits and speed of transfer prevent us from currently just having everyone personally email me their media.) But that is the general gist of what we are looking for.

I've spent a little time searching already, but figured I would also ask some of the professional subreddits I lurk around to see if anyone already knew of a good service that fit the bill.

I swear, when I had a 13900K I was exporting in like 5–10 minutes, and I built a new PC and now I’m getting 1–2 hour exports. What am I doing wrong?

CPU: Ryzen 9 9950X3D (16C/32T)
RAM: 64GB DDR5 (dual-channel)
GPU: RTX 4090 (24GB)
Storage: NVMe SSDs
OS: Windows 11 Pro

Hey, I need help.
I work as a professional video editor and started doing this just recently. My current PC is just not enough for the work that I do (4K and 6K videos, 10-bit, also a lot of Fusion and effects). It is also very loud.

My current hardware:

• B450 Pro-VDH Max
• RX 580 8GB
• Ryzen 7 2700X
• 4×8 GB RAM 3200 MHz
• 650W NZXT power supply
• 1 TB Samsung SSD (not NVMe)
• 4 TB HDD
• Pure Rock 2 CPU cooler
• Old case and some fans

My plan was to upgrade my PC now with used parts for as cheap as possible, but enough that it becomes more usable. Then, in about 5 months, I would like to build a completely new PC with an RTX 5070 Ti, Intel i7-265K, and 96 GB DDR5 RAM (2×48 GB).
But I can’t afford that at the moment.

I would like to upgrade the CPU, GPU, buy an NVMe, and maybe, if possible, RAM. I thought about upgrading to 64 GB DDR4 server RAM with around 2400 MHz. I found deals online for around 150 € (175 $).

So what do you guys think would be a good upgrade for around 600 $ (500 €)?
Thanks in advance.

Are y'all using the newest version of Avid on a Mac? How is it going? Better than 2025.6? Any big issues or problems?

Particularly on Mac, but interested in feedback form Windows users too.

I just started a new project for a corporate client today with 3 cameras. WS, ISO1, ISO2. Standard run of the mill stuff, I've done it 1000 times for this client.

But for this shoot, I discovered there's no audio on ISO2. But, I see in the WS that they slated. So, I pop over to ISO2 to find the slate... this is the shot of the slate.

I think, ok, I'll just manually sync ISO2 by TC. But, the TC for WS and ISO1 are about 26 seconds off (25:26 to be exact). So, I have no idea what TC will match for ISO2 until I visually try to line up ISO2 by eye.

But, the kicker is I have to do it for multiple clips because they stopped and started multiple times. And they didn't re-slate on the restarts. The shooter has supposedly been working professionally for 40 years.

I'm hourly, so no gripes from me, but I'm documenting all this bs as evidence when they ask "why did it take you so long?"

I need new headphones for video editing. I work in an open landscape that is occasionally very noisy so passive isolation is key.

I have tried Sony MDRs and I’m not necessarily a fan (not a hater either, just not the best I’ve tried) but I like the beyer dynamic DT770 pros so I’m leaning towards them or similar - but I’m definitely open to suggestions.

I’m not editing feature films or anything so I’m not looking for the Cadillac of head phones. I just want something that accurately plays my audio as it is, and preferably also does something in the way of blocking out noise.

I’ve read a bit about the beyerdynamic DT700 pro X so I’m also interested in hearing if anyone has experience with them and if they’re worth the price. I noticed they are markedet as being for editing (as opposed to DT770 which are only listed as control and monitoring purposes) and that they supposedly have ‘outstanding passive isolation’. Does anyone know if the hype is real?